Existentialism

The Myth of Sisyphus: And Other Essays

Zero: The Biography of a Dangerous Idea

The seemingly impossible Zen task--writing a book about nothing--has a loophole: people have been chatting, learning, and even fighting about nothing for millennia. Zero: The Biography of a Dangerous Idea, by noted science writer Charles Seife, starts with the story of a modern battleship stopped dead in the water by a loose zero, then rewinds back to several hundred years BCE. Some empty-headed genius improved the traditional Eastern counting methods immeasurably by adding zero as a placeholder, which allowed the genesis of our still-used decimal system. It's all been uphill from there, but Seife is enthusiastic about his subject; his synthesis of math, history, and anthropology seduces the reader into a new fascination with the most troubling number.

Why did the Church reject the use of zero? How did mystics of all stripes get bent out of shape over it? Is it true that science as we know it depends on this mysterious round digit? Zero opens up these questions and lets us explore the answers and their ramifications for our oh-so-modern lives. Seife has fun with his format, too, starting with chapter 0 and finishing with an appendix titled "Make Your Own Wormhole Time Machine." (Warning: don't get your hopes up too much.) There are enough graphs and equations to scare off serious numerophobes, but the real story is in the interactions between artists, scientists, mathematicians, religious and political leaders, and the rest of us--it seems we really do have nothing in common. --Rob Lightner

Charles Seife traces the origins and colorful history of the number zero from Aristotle to superstring theory by way of Pythagoras, the Kabbalists, and Einstein. Weaving together ancient dramas and state-of-the-art science, Zero is a concise tour of a universe of ideas bound up in the simple notion of nothingness.

The Spell of the Sensuous: Perception and Language in a More-Than-Human World

David Abram's writing casts a spell of its own as he weaves the reader through a meticulously researched work that gently addresses such seemingly daunting topics as where the past and future exist, the relationship between space and time, and how the written word serves to sever humans from their primordial source of sustenance: the earth.

"Only as the written text began to speak would the voices of the forest, and of the river, begin to fade. And only then would language loosen its ancient associations with the invisible breath, the spirit sever itself from the wind, the psyche dissociate itself from the environing air," writes Abram of the separation caused by the proliferation of the written word.

In writing The Spell of the Sensuous, Abram consulted an engaging collection of peoples and works. He uses aboriginal song lines, stories from the Koyukon people of northwestern Alaska, the philosophy of phenomenology, and the speeches of Socrates to paint a poetic landscape that explains how we became separated from the earth in the first place. With minimal environmental doomsaying, Abram discusses how we can begin to recover a sustainable relationship with the earth and the nonhuman beings who live among us--in the more-than-human world. --Kathryn True

David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with passion and intellectual daring.

"Long awaited, revolutionary...This book ponders the violent disconnection of the body from the natural world and what this means about how we live and die in it."--Los Angeles Times

Wabi-Sabi: for Artists, Designers, Poets & Philosophers

From the Introduction

Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete.
It is a beauty of things modest and humble.
It is a beauty of things unconventional.

The immediate catalyst for this book was a widely publicized tea event in Japan. The Japanese aesthetic of wabi-sabi has long been associated with the tea ceremony, and this event promised to be a profound wabi-sabi experience. Hiroshi Teshigahara, the hereditary iemoto (grand master) of the Sogetsu school of flower arranging, had commissioned three of Japan's most famous and fashionable architects to design and build their conceptions of ceremonial tea-drinking environments. Teshigahara in addition would provide a fourth design. After a three-plus-hour train and bus ride from my office in Tokyo, I arrived at the event site, the grounds of an old imperial summer residence. To my dismay I found a celebration of gorgeousness, grandeur, and elegant play, but hardly a trace of wabi-sabi. One slick tea hut, ostensibly made of paper, looked and smelled like a big white plastic umbrella. Adjacent was a structure made of glass, steel, and wood that had all the intimacy of a highrise office building. The one tea house that approached the wabi-sabi qualities I had anticipated, upon closer inspection, was fussed up with gratuitous post- modern appendages. It suddenly dawned on me that wabi-sabi, once the preeminent high-culture Japanese aesthetic and the acknowledged centerpiece of tea, was becoming-had become?-an endangered species.

Admittedly, the beauty of wabi-sabi is not to everyone's liking. But I believe it is in everyone's interest to prevent wabi-sabi from disappearing altogether. Diversity of the cultural ecology is a desirable state of affairs, especially in opposition to the accelerating trend toward the uniform digitalization of all sensory experience, wherein an electronic "reader" stands between experience and observation, and all manifestation is encoded identically.

In Japan, however, unlike Europe and to a lesser extent America, precious little material culture has been saved. So in Japan, saving a universe of beauty from extinction means, at this late date, not merely preserving particul

Basic Writings of Existentialism (Modern Library Classics)

Basic Writings of Existentialism, unique to the Modern Library, presents the writings of key nineteenth- and twentieth-century thinkers broadly united by their belief that because life has no inherent meaning that humans can discover, we must determine meaning for ourselves. This anthology brings together into one volume the most influential and commonly taught works of existentialism. Contributors include Simone de Beauvoir, Albert Camus, Fyodor Dostoevsky, Ralph Ellison, Martin Heidegger, Søren Kierkegaard, Friedrich Nietzsche, Jean-Paul Sartre, and Miguel de Unamuno y Jugo.

Phenomenology of Perception (Routledge Classics)

Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato.

Phenomenology of Spirit (Galaxy Books)

This brilliant study of the stages in the mind's necessary progress from immediate sense-consciousness to the position of a scientific philosophy includes an introductory essay and a paragraph-by-paragraph analysis of the text to help the reader understand this most difficult and most influential of Hegel's works.

The Courage to Be

Irrational Man: A Study in Existential Philosophy

Widely recognized as the finest definition of existentialist Philosophy, this book introduced existentialism to America in 1958. Barrett discusses the views of 19th and 20th century existentialists Kierkegaard, Nietzsche, Heidegger, and Sartre and interprets the impact of their thinking on literature, art, and philosophy.

Existentialism And Human Emotions (A Philosophical Library Book)